Quiet, Reposed
The Fetish of Silence and the Femme Fragile

Flowers of Evil: Paul Gauguin's Decadent Imagination and the Concept and Culture of the Fin-de-Siècle

The presence that rose thus so strangely beside the waters, is expressive of what in the ways of a thousand years men had come to desire. Hers is the head upon which all “the ends of the world are come,” and the eyelids are a little weary. It is a beauty wrought out from within upon the flesh.
– Walter Pater
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There is no more accurate documentation of the manner in which a culture perceives its moral and social mission than in the works of visual art it produces. (Bram Dijkstra, Idols of Perversity)

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Bazille, Frederic (1841-1870) - 1870 African Woman with Peonies (Musee Fabre, France) by RasMarley on Flickr.

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Posted 7 months ago on Monday 12 November 12.
    filed under:
  • #frederic bazille
  • #bazille
  • #painter
  • #19th century
  • #french
  • #1870
  • #1870s
  • #african woman with peonies
  • #public collection
  • #flowers
  • #portrait
  • #negro
  • #still life
  • #table
  • #impressionism
  • #hat
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    Bazille, Frederic (1841-1870) - 1870 African Woman with Peonies (Musee Fabre, France) by RasMarley on Flickr.
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